Chat Haus - Coworking Space for AI Chatbots

A Novel Coworking Space Emerges in Brooklyn
An unconventional “luxury” coworking environment has recently opened its doors in Brooklyn’s Greenpoint district, situated conveniently between an elementary school and a public library.
This unique space, known as the Chat Haus, shares commonalities with traditional coworking offices. Individuals can be observed engaged in computer work, participating in phone conversations, and pausing for refreshments.
The Twist: A Space for AI, Built from Cardboard
However, a significant distinction sets Chat Haus apart. It is specifically designed as a coworking space for AI chatbots, and its entire aesthetic – including the occupants – is constructed from cardboard.
The Chat Haus is, in fact, an art installation created by Brooklyn-based artist Nim Ben-Reuven. It features several cardboard robots simulating work at computers, their movements powered by small motors.
Signage within the exhibit playfully advertises desk space for $1,999 per month, branding the location as “A luxury co-working space for chatbots.”
Artist's Response to the Rise of AI
Ben-Reuven explained to TechCrunch that the exhibit serves as a coping mechanism and a humorous response to the increasing encroachment of AI into his professional life.
He noted that he is already experiencing a decline in freelance opportunities as companies increasingly favor AI tools over human creatives.
“This was an expression of frustration channeled through humor, preventing me from becoming overly disheartened by the rapid changes within the industry,” Ben-Reuven stated. “I decided to counter the shift with something lighthearted that I could find amusing.”
He intentionally aimed for a less negative tone, believing that overtly negative art can become defensive and limit its appeal. A “lighter tone” broadens the audience, attracting viewers of all ages and perspectives on AI.
Public Reaction and Broader Perspective
During a conversation with the artist at Pan Pan Vino Vino, a nearby café, numerous passersby paused to observe the Chat Haus.
Groups of young adults took photographs, while elementary school students and their chaperones engaged in inquisitive discussions.
Ben-Reuven also reflected that, despite the impact of AI on his field, the situation is relatively minor compared to more pressing global issues.
“In the context of the creative world, AI seems a comparatively light concern when weighed against the severity of war, trauma, and other global crises,” he commented.
Cardboard as a Medium and a Metaphor
Ben-Reuven has a longstanding history of utilizing cardboard in his artwork. He previously constructed a full-scale replica of an airport terminal from cardboard during his graduate studies.
Over the past decade, he has intermittently created these cardboard robots, affectionately referred to as “cardboard babies.” The choice of material was both natural and symbolic.
“The impermanence of cardboard, and its susceptibility to collapse under minimal pressure, mirrors my perception of AI’s interaction with the creative industries,” he explained.
“AI-generated images may appear impressive on platforms like Instagram, captivating younger audiences, but they lack substance under scrutiny. Similarly, these cardboard creations are fragile and easily compromised.”
He acknowledges the appeal of AI-generated art, comparing it to the fleeting satisfaction of junk food.
Future of the Exhibit
The Chat Haus is a temporary installation, as the building it occupies is slated for renovation pending permit approvals.
Ben-Reuven intends to maintain the display until at least mid-May and hopes to relocate it to a larger gallery space, allowing for expansion.
However, he is mindful of storage limitations in his apartment for any additional materials.
“I envisioned a humorous portrayal of numerous endearing, yet slightly unsettling, baby robots diligently typing away, fueled by our ChatGPT prompts within a warehouse, consuming as much energy as Switzerland annually,” Ben-Reuven shared.
Currently, the Chat Haus is on display in the front window of 121 Norman Avenue, in Brooklyn, New York’s Greenpoint neighborhood.
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